Patterned View Point

Looking out from Library of Congress digital photography by Meera Rao

Textured Variations

textures and colors by Meera Rao

The last day of the "Variations" workshop was all about textures. We saw the possibilities with Myrna Wacknov's collection reference photos, her paintings, and use of gesso, stencils, stamps, patterns, tissue for collage, etc and  unlimited imagination :) The day's task was to bring color, texture, value and other design elements together. 

After the van Gogh like textures of my day 3 painting, I decided to tone down go for subtler texture :) and I like my final piece. 

gesso covering old painting

After watching the demo about applying stencils, tissues, and stamping, I proceeded to gesso -not too thickly or carefully- a painting I didn't care for. Applying the textures subtly with stamps and even fingers, and lifting some color with the stencils, I prepared the paper.  When the paper was dry I knew where and how I wanted my drawing to go. It did not really take much time to paint after that and I had to be especially be wary of not overworking it since it was so much fun to paint on the gesso prepped textured paper! Rest of the day I played with experimenting with preparing  paper in all different ways. 

Here is the photo with all my paintings of the week together:

variations by Meera Rao

Fleeting Patterns

 Fleeting Patterns  digital photography

I wonder if the little duckling was aware of distorted reflections, colors, and patterns around it as it swam about that particular morning  few months ago in San Antonio, Texas! Do ducks see color? depth? patterns? They must - because drakes - Mallards, Mandarin and Wood ducks are colorful and patterned. And I see duck hunters wearing camouflage and hide in covered boats.  Anyway, I am really grateful I was in the right place at the right time to capture a fleeting moment in time. 

Bobbing colors and Shadows

A Day in the Life - Sketchbook Project page 19 color pencils 5x7"

I see this little shed with these colorful buoys behind a high fence everyday as I drive or walk by it near the end of our street.  The arrangement and number  of buoys keeps changing - yesterday there were only a few but this past winter when I was on my walk, the sun was at just the right angle on the full display of vivid objects.  Through the seasons, I observed how the number of buoys, angle of light, the time of day changes the shadows making for exciting shapes and colors. All this helped me change the arrangement the way I felt comfortable with as I sketched. 

I had an 'ah-ha' moment when I realized that I 'draw' outlines of the objects  but I have to 'paint' shapes and values! Shapes in right color & value with lost and found edges essentially complete a painting save for a few accents! So now I know to focus my efforts in future paintings on the refinement of interlocking shapes in my composition, making highlights blend, anchoring the shadows so objects pop out.  Most of writing and painting is observing and thinking and seeing the relationships :) 

Resplendent on Yupo

Resplendent watercolor on Yupo 11x14"

Last week I tried out watercolors on synthetic Yupo paper. It was a fun experience full of surprises. The water flows and just 'sits' on the slick surface so I could tilt, push and let the watercolors mingle and produce or lift patterns. I did minimal sketching and had to learn by trial and error how to work the paint on the very smooth surface and how much water to use. It was easier once I discovered that watercolors flow better if I first paint with water and then drop the colors. I had to watch out and not overdo patterns with brush strokes. The paint could be easily removed which was both a plus and a disadvantage since I could easily takeout deliberately or inadvertently what I had already painted with a swipe of a damp brush! I found it hard to paint details. I also learned to be patient and wait. It was important not to disturb an area I liked till it fully dried. I really like how the colors seem to be brighter and bolder on the Yupo paper. Looking at the painting now, I realize I only used brush, water and paint and really did not make full use of the surface to mingle the colors or get free flowing patterns and also use plastic wrap, salt or alcohol for textures. I also see that I need to give up my urge for control and let the surface do its thing :)

In my research about working on Yupo paper I read that once I know I have 'finished' the painting it should be sealed several thin coats of a fixative spray. A quick search on Google produced a wealth of information on how to paint on Yupo including video clips on YouTube. I really enjoyed my first experience and excitedly looking forward to playing more with yupo!

p. s: please do not click on the 'link within- you may also like' - that does not have a title/or the one that  says tattoo --its spam --I can't take it off and I don't want to give in and take the widget off completely :(

Color of Life

"A picture is not thought out and settled beforehand. While it is being done, it changes as one's thoughts change. And when it is finished, it still goes on changing, according to the state of mind of whoever is looking at it. A picture lives a life like a living creature, undergoing the changes imposed on us by our life from day to day. This is natural enough as the picture lives only through the man who is looking at it. " - Picasso

A stainless-steel plate with ripe bitter-gourd busting with seeds sunning on my deck last summer was the inspiration for this painting. Does it matter?

Color of Life watercolor 9x12"