Showing posts with label india sketch journal. Show all posts
Showing posts with label india sketch journal. Show all posts

Thursday, January 7, 2021

Sacred Serenity

Sacred Serenity watercolor by Meera Rao 

Sacred sites and Temples dot the landscape in India. For Hindus Nature itself is a living goddess and Devine energy surrounds everything.  ‘Sacred Serenity’ shows a tiny glimpse of this beautiful concept. Traveling in India I see these sights every few minutes.  These small shrines hold as much awe and spirituality as any of the huge ornate temples. I hope these quiet places don’t get lost in the midst of fast moving modern encroachments.     

Behold the Universe in the glory of God:
And all that lives and moves on earth.
Leaving the transient, 
Find joy in the Eternal.
~ Isa Upanishad~

Thursday, March 1, 2018

The Best View

The Daily Commute  watercolor ink India Art Journal 2017 by Meera Rao

I distinctly remember the fear and excitement when I was a little girl looking out the open train car door as the world zipped by.  I only traveled a couple of times on train when I was young which made the trips quite memorable.  This commuter train was moving slowly past the station.  The little kid in  white uniform shirt with school backpack and the lady sitting right next caught my attention along with the many passengers crammed in! The overcrowded dusty train cars on an overcast day made an impression on me. 

This is the last sketch in my little homemade accordion watercolor journal from my short trip to India in Nov 2017.  Below is the photo of the completed open journal. There is a sketch behind the bell that I could not include in this shot. I started the sketches during my trip and used reference photos once I returned to complete them with watercolors.  




Thursday, February 22, 2018

Clear View

Window Cleaners  India Sketchbook 2017 watercolor by Meera Rao 

These three young ladies were part of the train cleaning crew. It was a bright sunny afternoon and I loved the play of light, colors and shadows as they chatted and worked. They had a assembly line of sorts going - one squirted water, one had a bunch of newspaper she was using to wipe it off with and the third lady had a long handled glass cleaner to finish the job. Once inside though, I found those windows were not clear enough capture the scenery with my camera! The trains are workhorses and it is a tough job to keep the trains clean as they chug along with barely enough time between rides. 

Thursday, February 15, 2018

Never A Dull Ride

 Autoricksha Ride India Sketchbook by Meera Rao 

Life is never dull on the streets in India.  The variety and number of modes of transportation and the  kind of loads they carry,  how many passengers they manage to cram into those vehicles is always a surprise ! Over the years I have photographed and sketched many interesting scenes - and I know I will find new ones on my next trip :) 

During my last trip, I saw this precarious looking two-wheeler -somewhat small and a cross between a bicycle and a motorcycle. The passenger was holding two sheep/lambs in his arms!  The the scene outside the autorickshaw and the view of the inside of the richly decorated brand new vehicle made for an interesting outing on that particular day. 

Friday, February 2, 2018

Directing Attention

Bell by the Door  watercolor and ink by Meera Rao

Ringing of the bells during Puja (worship) is an important ritual for Hindus whether at home or at temple.  We ring the bell at the temple when we enter and then as we leave.  A small  hand held bell is rung when 'aarati' (or light) is shown to the murthy (idol of deity).  The light flames  and sound vibrations wake up the senses, clear the mind of distractions and help direct the attention to pray and meditate. 

I love this particular ornate bell that graces the entrance of my brother's home.  During my last visit in November, one afternoon I sat by the steps near the door and sketched it.   

Saturday, January 27, 2018

For Safe Travels

Ganesha on Dashboard watercolor 7"x5" by Meera Rao 

Almost every vehicle in India has an idol of the owner's favorite deity stuck on the dashboard for blessings and safe travels for the driver and passengers.  They come in all different sizes, styles and colors tailored to individual tastes.  I came across an article recently that there is an "Unique campaign"  going on now where  "deities in car dashboards being equipped with accelerometers, lending them pre-recorded voice."  urging the drivers 'to slow down or drive safely.'  According to the company Droom that sells these pre-fitted idols, " India is the 3rd country in terms of deaths due to road accidents and stands at the 67th spot in terms of number of Vehicles per person. There is one death every four minutes due to a road accident in India. Moreover, 20 children under the age of 14 die every day due to road crashes." and ".. our idea comes from that sweet spot between technology and a razor sharp insight on the Indian driver. We thought we could make the Indian driver listen to us. After all, god was on our side!"

This particular abstract green marble sculpture is of Ganesha, the remover of obstacles though not fitted with a accelerometer! It became the first sketch in my India sketchbook from my trip last November. I used Indian handmade watercolor paper that I cut to 7x30" and folded into an Japanese style album. It was the first time I was using that paper which is heavy and rough and took a while to get used to. 

Wednesday, August 30, 2017

Eteched in Color

2017 India Japanese Album Sketchbook By Meera Rao

Temple Domes 2017 India Japanese Album Sketchbook By Meera Rao 


Flower Vendor and keeper of chappals 2017 India Japanese Album Sketchbook By Meera Rao 

Mysuru Nandi 2017 India Japanese Album Sketchbook By Meera Rao 

Baggage 2017 India Japanese Album Sketchbook By Meera Rao

Passing Time 2017 India Japanese Album Sketchbook By Meera Rao

The Japanese Style USKbook Sennelier Multimedia 340 (6x4" opening to 6x39") is where I sketched and painted vignettes of my trip to India earlier in February.  I was trying to have a theme but it slipped my mind while sketching the last four panels. It just happened that I used two panels per subject in this book. I sketched them during my trip but applied the watercolors later. 

I started with the view from balcony of my brother's house.  The temple is right across the road. The colorful Temple Domes though complicated were fun to sketch but hard to paint.  I had used two panels to sketch. Unfortunately while painting, the wash settled on the crease between the panel. The paper tore along the fold so I had to resort to clear tape to hold it together.  I also reinforced the back og the crease. It was my first time using this particular brand of sketchbook and the detailed sketch was not the right one to get used to the paper.  But I think I captured the colorful busy-ness of the domes! 

Devotees often buy coconut, flowers and fruits as offering to the Deity when they visit the temples. The vendors line up the entrance to the temple and sell small baskets filled with bananas, fruits and flowers. Many vendors also have a side-business of keeping an eye on devotees' footwares for a fee as visitors are not allowed to wear their shoes and 'chappals'  inside the temple. Just leaving them outside without supervision is not a good idea!

This massive Nandi (bull) carved out of a single stone, is 15' in height and 24' wide. It sits on the way to the Chamundi Temple which is on top of the Chamundi Hill in Mysuru, Karnataka. We were visiting the day before a major festival and there was scaffolding around to assist in decorating the statue with flowers, sandlewood paste and red Kumkum.  

The last four panels depict railway platform scenes. I came across the lady sitting crosslegged surrounded by boxes and bags. Perhaps she was moving to another city!  Passing time while waiting for the train, the man was sitting in the shadow of a huge tree that was left undisturbed in the middle of the platform! The three kids were climbing a pole for a better look at whatever grabbed their interest.  I decided to leave the people unpainted to show that the scene remained the same while the players the changed  :)  

The Japanese Style USKbook Sennelier Multimedia 340 (6x4" opening to 6x39"  India 2017.

Sunday, June 12, 2016

Simple Times

A Tire, A Street and A Buddy watercolor and ink by Meera Rao
India Art Journal 2015

Simple times and carefree days.  I watched them roll the tire back and forth down a quiet lane, laugh and squeal in delight. Pretty soon they had mastered the art of keeping the tire rolling without a break. I was a witness to a sealing of friendship, memories in the making and developing skills and imagination :) Definitely 'just playing' is really a lot of 'work' as well! 


You can discover more about a person in an hour of play than in a year of conversation." 
Plato


 A Tire, A Street and A Buddy 5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

Sunday, May 22, 2016

A Colorful Cover-up

A Colorful Cover-up watercolor and ink by Meera Rao
India Art Journal 2015

It looked like a giant colorful caterpillar from a distance making me stop in my tracks. A long multicolored striped cotton floor mat (jamkane in local Kannada language) covering a vehicle protecting it from the hot sun and any mess dropped by birds sitting in the near by tree! It was by the front door of a school and my guess is that the car belonged to some 'important' visitor.  A dog was happily lying down by it too. 

I had sketched those mats a few times before - it was covering the stage platform and risers in a 'Yakshagana' performance  where the musicians were seated. Those mats come in different sizes and are workhorses - spread on the floor at functions for people to sit on, at many homes and on most train journeys they are the base layer for bedding for people to sleep on, for covering a pile of boxes or suitcases to keep dust away in some homes, as yoga mats etc.. 



A Colorful Cover-up, 5.5x8" watercolor and ink on 140 lb Strathmore visual Journal


Monday, May 16, 2016

Evening Shadows

Evening Shadows watercolor and ink by Meera Rao
India Art Journal 2015 

Sunday evenings the roads are relatively empty and I was fortunate to come across this scene on my daily walk.  The beauty of this play of light and shadow will remain etched in my memory even if I may not have done justice to the original scenery.   

I have realized over the years that, my vision is always ahead of what really ends up on the paper ! Here is a story from the book Art and Fear by David Bayles and Ted Orland :  More often, though, fears rise in those entirely appropriate (and frequently recurring) moments when vision races ahead of execution. Consider the story of the young student – well, David Bayles, to be exact – who began piano studies with a Master. After a few months’ practice, David lamented to his teacher, “But I can hear the music so much better in my head than I can get out of my fingers.”

To which the Master replied, “What makes you think that ever changes?”

That’s why they’re called Masters. When he raised David’s discovery from an expression of self-doubt to a simple observation of reality, uncertainty became an asset. Lesson for the day: vision is always ahead of execution — and it should be. Vision, Uncertainty, and Knowledge of Materials are inevitabilities that all artists must acknowledge and learn from: vision is always ahead of execution, knowledge of materials is your contact with reality, and uncertainty is a virtue.

To quote Ira Glass about the 'gap' in taste and skill:  It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. 

So on to marching towards my 10,000 sketches...... 

Evening Shadows 5.5x8" watercolor and ink on 140 lb Strathmore visual Journal


Sunday, May 8, 2016

Ironing The Wrinkles Out

Ironing the Wrinkles Out watercolor and ink by Meera Rao
India Art Journal 2015 

I have sketched a neighbourhood ironing lady before in 2013 and a young boy ironing in 2012.  This man had his 'shop' in a tiny little structure with a board to iron on and a shelf to stack up the finished items. There was a small tin box outside the shack where he was tending coals for the iron. All are enterprising people who fill a heavy iron with hot coals and iron out the wrinkles from shirts, pants, kids uniforms and ladies sarees to make a living. They pick up the laundered clothes from their customers and drop them off later crisply ironed, folded and ready to wear. Most of the vendors keep a rotating schedule of certain days and times during the week in a couple different neighborhoods. They have bare bones set up and work diligently. The young lady had proudly told me how careful she is to avoid any burn holes from hot coals in the clothes she is ironing.   

For many among us ironing is a dreaded chore but it is 'work' for these people. And to Pablo Naruda, it is poetry  :

In Praise of Ironing

by Pablo Neruda
translated by Alastair Reid

Poetry is pure white.
It emerges from water covered with drops,
is wrinkled, all in a heap.
It has to be spread out, the skin of this planet,
has to be ironed out, the sea's whiteness;
and the hands keep moving, moving,
the holy surfaces are smoothed out,
and that is how things are accomplished.
Every day, hands are creating the world,
fire is married to steel,
and canvas, linen, and cotton come back
from the skirmishings of the laundries,
and out of light a dove is born -
pure innocence returns out of the swirl.



Ironing the Wrinkles Out 5.5x8" watercolor and ink on 140 lb Strathmore visual Journal


Friday, April 8, 2016

Showing Tricolor Pride

Showing Tricolor Pride watercolor and ink by Meera Rao
India Art Journal 2015 

Come festival or national holiday, the tiny Mom and Pop stores that line the narrow roads near the local market come to life with the colors of nick knacks and sundry items for the occasion.  On this particular day the tricolor flags and banners and streamers were flapping in the wind in this little store in anticipation of the Independence Day celebrations. The little girl was looking at the items for a long time - I am not sure if she bought anything in the end! Cars, buses, motorcycles, bicycles, tiny tricycles, rickshaws  doorways and storefronts are all decorated with flags or banners celebrating the day. Even though a holiday, this store was open for business for last minute shoppers !

Showing the Tricolor Pride 8x5.5" watercolor and ink on 140 lb Strathmore visual Journal

Wednesday, March 30, 2016

Threads that Connect

Threads that Connect watercolor and ink by Meera Rao
India Art Journal 2015 

I was attracted to the orange cloth glowing in the sunlight and all the shadow play I encountered at the top of the Chamundi Hill (Mysuru) near temple premises.  There were a few others who were also selling these threads(Mauli) but only one was in the traditional sacred orange clothing and working diligently organizing his threads of different colors. Each color sacred thread has significance of its own in Hinduism. They are usually tied to right wrist (usually for both genders) or left(certain occasions for women) to ward off evil eye or for prosperity and good health and for smooth completion or progression of any important ceremony.  The threads are used during pooja by the devotees, by bride and groom during wedding, and for "rakhi bandan' by sister on brother's wrist  as a talisman - for protection and well being. The threads tether us to other humans, to the sacred spirits; to the yearning for a universal connection. 

In my research I discovered that this custom is followed by others as well - around the globe, across cultures and religions: From wikipedia : Wearing a thin scarlet or crimson string (Hebrew: חוט השני) as a type of talisman is a Jewish folk custom as a way to ward off misfortune brought about by the "evil eye" (Hebrew: עין הרע). The tradition is popularly thought to be associated with Kabbalah and religious forms of Judaism.

More interesting information from Sean Doyle's article on Sacred Thread

"Throughout Indian history the exchange of a thin cotton, wool or silk thread tied kingdoms together and sealed political alliances.  In one recount of the Battle of the Hydaspes River, it is said that the King Porus refrained from striking Alexander the Great, because the Alexander’s wife had tied a scared thread to Porus’ hand, urging him not to hurt her husband.

A scarlet or red thread runs through many cultures.

The red string of fate or the thread of destiny appears in both Chinese and Japanese legends. According to myth, the gods tie an invisible red string around the ankles of those that are destined to meet each other or help each other in a certain way.  In one myth, two people connected by the red thread are destined to be lovers, regardless of time, place, or circumstance. The cord may stretch or tangle across the years, but it will never break.

In traditional Tibetan Buddhist ceremonies, the tying on of holy cotton threads restores the natural order of things and brings people closer together. The red thread is specifically associated with bravery.

And this sacred tie is not limited to East Asia.

In Greek mythology, Theseus rescued himself out from the labyrinth of the Minotaur by following a red thread that was given to him by Ariadne.  Nikos Kazantzakis, in making myths modern again, points to the scarlet tread that runs through and connects all people, friends and strangers, regardless of culture.  It is our common humanity.

In Judaism, wearing a thin red string on the left wrist is an old custom thought to ward off misfortune brought about by the “evil eye”.  Rahab tied scarlet rope to two scouts so they could enter Jericho unseen.  Jabob’s wife Rachel, the mother of Joseph and Benjamin, wrapped a red thread around her son’s wrist to protect him from evil.  Still today, we tie a long red string around her burial stone.  This sacred symbol recalls Rachel’s selflessness, reminding us to emulate her modest ways of consideration and compassion for others, while giving charity to the poor and needy.  More than a way to protect one from evil or harm, the crimson thread is an internal reflection that inspires good deeds and kindness."

Measuring and Selling 5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

Wednesday, March 23, 2016

Water Break

Water Break watercolor and ink by Meera Rao
India Art Journal 2015 

Selling fresh betel leaves directly to the customers at the street market, this lady seems to have a good business sense for displaying her goods and controlling her expenses. All she needed was a small blue stool to sit on and a big basket  of fresh leaves stacked in neat piles! Behind her were clay pots balanced carefully and the rickety table held small clay pots etc. The Betel leaves are important in Hindu religious ceremonies, a main ingredient in 'pan' for chewing pleasure, and also used for medicinal purposes. So the business is usually brisk for leaves and the pots as it’s much simpler to stop by a stand while commuting to work or running errands than to plan a special trip to the store.   


Water Break  5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

Thursday, March 17, 2016

Textures and Colors of Life

Textures and Colors of Life watercolor and ink by Meera Rao
India Art Journal 2015 

A side alley with a bicycle; the buildings, walls, doors - all textured with neglect; colorful water pots waiting to be filled were hard to ignore!  Sketching, painting and photographing almost everyday when I was India, was a valuable experience. I developed a curiosity and great respect about my surroundings and learned to savor life. 

I was torn about just recording the scenes I come across,  but I also felt an urge to capture the fast disappearing lifestyle as India is hurling itself towards things more 'modern'.  I also found myself attracted to the special beauty in the simple surroundings --always colorful and full of textures. I know my sketches and paintings only give a glimpse of the country showing an extremely incomplete picture. 

Last week when I went to the preview of the opening exhibit of the brand new MET Breuer Museum in New York, I was struck by how architecture and surroundings influence an artist. Drawings and photographs by Nasreen Mohamedi, captured the geometry and abstraction from her surroundings. She saw only the beauty of lines and minimal color! 

It was also wonderful to see the 'Unfinished - thoughts left Visible.' on its third and fourth floors - unfinished paintings of artists over the past few centuries. I was excited as if I was peeking over their shoulders while they had paused and were mulling over the next brush stroke.

From the museum's website: Celebrating one of the most important artists to emerge in post-Independence India, and marking the first museum retrospective of the artist’s work in the United States, Nasreen Mohamedi examines the career of an artist whose singular and sustained engagement with abstraction adds a rich layer to the history of South Asian art and to modernism on an international level. The retrospective spans the entire career of Mohamedi (1937–1990)—from her early works in the 1960s through her late works on paper in the 1980s—exploring the conceptual complexity and visual subtlety that made her work unique for its time, and demonstrating why she is considered one of the most significant artists of her generation. Together with the thematic exhibition Unfinished: Thoughts Left Visible, Nasreen Mohamedi inaugurates The Met Breuer, which expands upon The Met’s modern and contemporary art program.

Here are Google images for Nasreen Mohamadi's art 
Check out the NYT review of Unfinished here 


Textures and Colors of Life 5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

Tuesday, February 23, 2016

A Sale!

A Sale!  watercolor and ink by Meera Rao 

In Mysuru, southern India, even now the peddlers load up a cart with sundry items and push it around the neighborhoods looking for buyers. I saw many different peddlers pushing a variety of things - pots and pans, plastic housewares or  sarees and other clothing items, sheets and blankets, balloons and toys etc everyday through the streets.  This one stopped around long enough for me to photograph as the lady was taking her own sweet time deciding what to buy.  She inspected various items from his cart and finally settled on a dust pan. 

I read that in 2013 the Karnataka state government launched a program to try to replicate the success of Bangaladeshi banker and Nobel peace prize winner Muhammad Yunus extending micro credit to street vendors. It launched Mysore City Street Vendors Multipurpose Cooperative Society, which had a seed money of Rs 5 crore to attend to the needs of street vendors in the city. The society, which is to be developed as a cooperative bank later, to lend small loan to the street vendors who are too poor to qualify for bank loans. The society's office was located close to my daily runs during my stay and I hope that this initiative is a success. 

A Sale!  5.5x8" watercolor and ink on 140 lb Strathmore visual Journal


Monday, February 8, 2016

Afternoon Siesta

Afternoon Siesta  watercolor and ink by Meera Rao

"Only mad dogs and English men go out in the noon day sun"
-Rudyard Kipling

When I saw this fellow taking a power nap in the middle of the day, looking quite comfortable on a mattress propped inside his autoriksha, I had to sketch him.  He was on a side street - directly in view from my balcony ! I quickly took a couple of photos just in case he woke up and went off, then set to sketch him. I had enough time to finish the sketch but colored it later.   

Afternoon siestas used to be the norm everywhere in India.  I remember my father, grandfather always came home from work for lunch at mid day, took a nap and then went back to work during the cooler part of the afternoon and evening.  Now it is a luxury enjoyed by few who can rearrange their day to their liking! Whoever is home during mid day, the elderly, the retired, the housewives, kids  and a few lucky folks who are their own bosses, all take a nap almost everyday. No one goes knocking at  someone's door during the afternoon! 

I quickly adapted to mid day power naps too during my stay in India.  It has to be power naps  because longer naps makes one groggy the rest of the day and wide eyed awake at night! I always set an alarm but it was so hard to make myself getup when it went off! As recent studies show, the mid day nappers especially in the tropics were on to something. They are not lazy slackers. As this article "7 surprising benefits of an afternoon nap"  explains they knew its power to influence the overall wellbeing, boost energy and increase productivity among other things :)  And more importantly, for us artists: 'Daytime sleep can, “enhance creative thinking, boost cognitive processing, improve memory recall and generally clear out the cobwebs," James Maas and Rebecca Robbins, co-founders of Sleep for Success, wrote in The New York Times.  :)  That ought to be a good reason to squeeze in my nap habit now that I am back in USA!

Btw, I am the Artist of the Month displaying at the Poquoson Public Library during February.  I am sharing the wall with a friend who is showing his photography for the first time. Here is a photograph showing the half with my paintings.  Please stop by if you are in the neighborhood :) 

Wall with my paintings at Poquoson Public Library  as February Artist of the Month 2016 

time for afternoon siesta  5.5x8" watercolor and ink on 140 lb Strathmore visual Journal 

Thursday, January 28, 2016

Traces of History

Water Gate at Tippu's Fort watercolor India sketchbook 2015 by Meera Rao 

This idyllic scene ‘Water Gate’ is at the northern wall of the King Tippu Sultan's Fort in Sri Ranga Pattana near Mysuru, India, The gateway opens to the shallower portion of the river Cauvery. The residents of the fort passed through this gate to fetch water from the river. Back in 1799, this shallow archway with guard houses on either sides and a temple at the right, was the location of a deadly battle with the British (East India Company). Tippu Sultan was killed and it changed the course of history for the British and for the south Indian principality of Mysore. Colonel Wellesley, the future Duke of Wellington, established his military reputation during this military victory. The gory details of the siege of SriRangapattanam can be found here. 

City of Mysuru, and the surrounding area is full of historical sites and ruins.  It attracts a steady stream of tourists who come to see its gorgeous palaces still in their full glory, the beautiful temples that are artistic and architectural masterpieces and the natural beauty of the area.  Here is a link for virtual tour of the area. 

'Water Gate at Tippu's Fort'  watercolor sketch, India sketchbook/Art Journal 2015 by Meera Rao .  Strathmore Watercolor 140lb Visual Journal


Tuesday, December 22, 2015

Lost In Time

Lost In Time watercolor sketch 2015 8x5.5" by Meera Rao

It was a tiny tiny shop. There were clocks and watches in various stages of repair on the work surfaces and walls.  He was totally absorbed in his work.  I had about half a dozen wrist watches that had stopped working and wanted to check if any could be revived.  I had been told they were not worth the time and trouble in my town in USA.  He had worked his magic on all except one when I returned to pick them up a week later.  He was so humble, unassuming and hesitated to charge next to nothing to have them ticking again. He was someone who was at peace tinkering with the clocks and watches!!! Please check here for another sketch of a different clock repairer in a similar tiny shop from my 2013 sketchbook.  

His sketch is the first one from my trip to India this summer. I am finally getting around to photographing and uploading the sketches.  I used a 44 page 5.5x8" Strathmore Visual Journal with 140 lb watercolor paper.  I sketched on one side only and needing more than a day or two to sketch and color each one as my days were quite busy.  Soon after I returned, I had to make another trip back as my Mother-in-law passed away. She had lived a full life for 93 years. And, I would have never discovered the joy sketching and keeping a journal daily had it not been for my stays with her every summer for the past four years to take care of her. I hope to pick up the habit of daily sketching once again  - may be make it my New year's resolution to get back into wonderful world of creativity.

Time changes everything 
except 
something within us
which is always surprised
by Change.

~Thomas Hardy~

Sunday, September 6, 2015

A Way of Life





Embracing The Ephemeral India 2014-15 Moleskine Japanese Album(large) Sketchbook By Meera Rao  

"The real voyage of discovery consists not on seeing new landscapes but in having new eyes"
Marcel Proust. 

So here is whole book in all its glory :) I am very pleased with the way my second sketch book from last year's India trip turned out. Took me a while to post them!  Ever since four years ago when I decided to keep a sketchbook/journal while I spent time in India each summer taking care of my mother-in-law, I found life and surroundings reaching out to me in generous ways.  The daily vignettes I sketched and painted helped me remember more than what I saw every day with my new 'sketching eyes' ! The sketches are not perfect - I found remembering a quote from Salvatore Dali : "Have no fear of perfection, you will never reach it!"  let me just enjoy the process! 

The format of the Japanese album let me decide how many panels to devote to each idea as I sketched along.  The cream color of the paper did not bother me but I did not like the feel of the paper- it did not take watercolor washes well. My first sketchbook from last year was a smaller Moleskine Japanese album which I posted from July 29 2014 to November 30 2014 in my blog. This year I used Strathmore mixed media journal with 140lbs watercolor paper for one sketch book which I will start posting once I get back to US.  I hope to fill up a second book this year - a multimedia 340 gm USK Sennelier accordion book -- may be then i can decide whats the best sketch book for me or my favorite way to sketch :) 


Related Posts Plugin for WordPress, Blogger...